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Jerome Kern
Herewith the second
in a trio of Astaire- Rogers film favourites. Swing
Time which opened at London's then Regal, Marble
Arch (now Odeon) on October 23 1936; film had bowed at New
York's Radio City Hall end of August, despite a walloping
from some of New York's critics. They did not deter, most of
the populace surrounded the massive cinema- theatre; cops
were called in for crown control.
Jerome Kern was
criticised for his 'old hat' music, said not to be in tune
with swing. How short-sighted some of us can be, look at the
old timer today, we are still listening to a fabled,
fabulous score. There's a touch of Kern's operetta style in
gorgeous, blossoming Waltz in Swingtime,
bursting right into the swing era. Listen to the Henry Hall
BBC Dance Orchestra version; the brilliant Melachrino
Strings; Geraldo does it in a medley featuring singer Cyril
Grantham.
Find all the Swing
Time songs on the album of the same name one of several
devoted to the Astaire-Rogers phenomenon, Fred too
on many of his albums, including the Academy Award winner
which he croons to Ginger as she shampoos her hair: it's the
tremendous The Way You Look Tonight. Surely
this must be included in the all-time list of favourite
ballads; it has everything, warmth, tender loving care,
words which sum up Jerome Kern and Dorothy Fields to
perfection.
That is not all, how
about the other long player, long staying now standard song:
A Fine Romance, truly outstanding music and lyric
that just cannot be faulted. Check song catalogues; find it
as a terrific duet for Ella Fitzgerald and Louis Armstrong,
hear it too from the likes of Count Basie, Dave Brubeck,
Crosby with his then wife, Dixie Lee, Benny Goodman, Ted
Heath, Billie Holiday, Peggy Lee, and darling Marilyn
Monroe. The list is endless, we British really went to town:
Ambrose; Geraldo; Henry Hall, Harry Roy; Jay Wilbur just to
skim the surface.
No wonder crowds
flocked and no wonder these years later they are still
buying the DVD and asking for the many numbers to be played.
Another swinger in the Swing Time score Pick Yourself
Up counts up to no less than 20 versions including
Fred Astaire Ray Anthony, Led Brown, Jimmy Dorsey, Benny
Goodman, Geraldo, Jack Payne and Harry Roy, and for good
measure, Ted Heath. Billy May, Grappelly, Shearing and from
a different angle: The Mormon Tabernacle Choir.
Fred Astaire must
have had tongue-in- cheek, or rather lyricist Dorothy Fields
did explaining to all he was Never Gonna Dance.
In 1936 George Melachrino sang it with Carroll Gibbons and
the Savoy Hotel Orpheans, as did Billy Scott Coomber with
Jack Payne, Carroll Gibbons did it solo with cabaret star,
Hildergarde. Fred himself blacked up - a show business
expression for black-face widely used at the time, his one
and only time in a long, successful career, and as we see
not forgotten today. Kern's black- face parody is in turn a
tribute to Bonjangles of Harlem.
Swing Time
features a bright bunch of no less than eight Jerome Kern
-Dorothy Fields songs, still alluring engaging and catchy,
as I used to say in radio time to "play them again". A
vast wealth of music and song I could not live without. Next
Astaire-Rogers recall to et aside Top Hat (GLP
August 2005) will hopefully be May 2007 for the Gershwin
extravaganza Shall We Dance?
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